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The Trailer Sessions

by Hardened and Tempered

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    Photos by Norah Levine Photography. Design by Jess Glebe Design.

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1.
Oil-soaked floors and spent gasoline The smoke cleared, you were the prettiest girl I’d seen I saw my fortune in the red flames of your hair Hello, sir, that’s a nice bike you own You chopped what’s slow, you threw away the chrome Brass, steel, and leather always feel like home Can you be strong enough to soften with the heat Can you race a razor’s edge, but for me will you yield ‘Cause only the wild tames me Let’s make the angels cry tonight You’re my wildest ride Heaven’s gonna catch its breath so hold on tight Let’s make the angels cry tonight It’s us and them, and they think we’re insane Taking long-shots, living on short-term gain But we can’t lose ‘cause we know how to play the long game We don’t want what they think we’re missing What good are dreams if not for chasing Our tanks our full and we’re not breaking speed For you I’ll be strong enough to soften with the heat I can race a razor’s edge, but for you I will yield ‘Cause only the wild tames me Let’s make the angels cry tonight You’re my wildest ride Heaven’s gonna catch its breath so hold on tight Let’s make the angels cry tonight We ride alone but by each other’s side You’re what’s constant when the world’s flying by We weave together through the broken yellow lines Let’s make the angels cry tonight You’re my wildest ride Heaven’s gonna catch its breath so hold on tight Let’s make the angels cry tonight Let’s make the angels cry tonight You’re my wildest ride Heaven’s gonna catch its breath so hold on tight Let’s make the angels cry tonight
2.
I was born of Big Muddy I look older than I am Deep stains tell my story In the lines of my hands For a life worth half a real Love comes not So I live recklessly I’m the one that care forgot The straightest path I follow finds trouble every time At the destination’s end on the Heartbreak Transit Line From the depot station Just off Basin Street I’m beckoned by the sirens’ songs Where the jolly good fellows meet With a fist full of Queen Anne’s Lace And a picayune I’m searching for you one night only In my book of blue The shadows of the night pardon little crimes My rites of passage ride on the Heartbreak Transit Line So please just come to me When I lay my money down With you constant stranger My fate is forever bound The rhythm of the night Twelve bars in ragged time The sounds of my surrender To my forever lonesome life When dealer calls last round I pray it’s not unkind I’m going to the rails on the Heartbreak Transit Line Fare-thee-well my love, my dream I buried my heart with your memory For a good-for-nothin’ like me Sweet release is all I need Shame to him who evil thinks Shame to him who evil thinks Your southern belle rebellion Took the best of me Now I’ll walk these streets until I find A cure for these maladies One day I’ll sit high In a hall of mahogany Or be reborn a thousand times From these sins I’ll be free When the last whistle blows there’ll be no mark in time At my destination’s end on the Heartbreak Transit Line Fare-thee-well my love, my dream I buried my heart with your memory For a good-for-nothin’ like me Sweet release is all I need Shame to him who evil thinks Shame to him who evil thinks
3.
Hard Winds 04:09
Tears falling At the kitchen sink The chores are done But the day is young Too much time to think It was a borrowed dream Tried on for size It’d fit just fine If she’d give it the time Darning worn-out seams These days when the storms rage and the nights are dark and cold That slow burn for love’s return died out long ago For holding close when hard winds blow For holding close when hard winds blow There’s nothing left to hold when hard winds blow She used to ride ‘em wild In the good ol’ days She was best in show She won the rodeo She wore spurs and lace But reins slip away And time runs long And the broken bones Make a broken home For the soul to stay These days when the storms rage and the nights are dark and cold That slow burn for love’s return died out long ago For holding close when hard winds blow For holding close when hard winds blow There’s nothing left to hold when hard winds blow Standing still On Nebraska plains The sky turns green The sirens scream Warning signs of change These days when the storms rage and the nights are dark and cold That slow burn for love’s return died out long ago For holding close when hard winds blow For holding close when hard winds blow There’s nothing left to hold when hard winds blow
4.
Ricochet 03:25
Here comes your traveling caravan The freak show fly-by-night Peddling riddles like razor wire In the borderlands The crowd falls fast for your snake-oil sell ‘Round and ‘round you go All your lies I know You cast an empty spell Running through the maze of your confusion You stand before me now the grand illusion Your house of mirrors reflection, changing direction You ricochet You smile at me with a carny’s delight There is no chance or skill You take your aim at will And set me in your sights It’s a hair-trigger pull with the hammer down Step right up, get ready Breath held, hand stand Fire a trick-shot round Running through the maze of your confusion You stand before me now the grand illusion Your house of mirrors reflection, changing direction You ricochet White heat burns from the flash bang blast Little bits of truth Like shrapnel piercing through The skin’s aftermath Running through the maze of your confusion You stand before me now the grand illusion Your house of mirrors reflection, changing direction You ricochet
5.
The passing years have been hard on me Forgotten dreams and a heart that doesn't mend So I work the bottle to fade all my memories ‘Cause I was a beauty queen back then When the red clouds churn and the sun goes down The dust kicks up on the road from town The back step’s lined with old and worn out souls But, no sir, we don’t sell love Just by the hour for some fun for you, for you Every night at the House of the Soiled Dove I always thought I’d cross horizon’s line I’d do anything if I could leave this town behind But the devil only paves an endless road 'Cause you can drive for miles and have no place left to go ‘Cause nothing’s free and no one’s proud So loosen up and buy the house a round Indulge in all your fantasies But, no sir, we don’t sell love Just by the hour for some fun That’s all you’ll ever get from me Every night at the House of the Soiled Dove Underground they still call me queen But used or useless, it’s all the same damn thing The nights are long, but I dread the morning light ‘Cause the darkest hours are when the sun shines bright When the red clouds churn and the sun goes down The dust kicks up on the road from town The back step’s lined with old and worn out souls But, no sir, we don’t sell love Just by the hour for some fun for you, for you Every night at the House of the Soiled Dove Every night at the House of the Soiled Dove
6.
Dry County 03:37
I watched until you reached the edge of town A broken heart is all I have left Maybe this hard luck will make me glory bound And this dry thirst will save me from myself Then a cold wind claims the quiet night And the sound of your voice haunts me I’ll feel the heat when the white lightning strikes With a reckoning that brings me to my knees Tonight I’ll get drunk in a dry county I’ll be howling at the moon and speaking in tongues I’ll draw the venom and sip the strychnine Any deadly thing to tame my misfortune I’ve been baptized in the slick of back waters And forged in the flames of strange fires I’ll keep dancing even when the music falters And pray to god my legs with never tire Tonight I’ll get drunk in a dry county I’ll be howling at the moon and speaking in tongues I’ll draw the venom and sip the strychnine Any deadly thing to tame my misfortune When the moonshine’s just right I see visions of you When the moonshine’s just right I can almost taste you Tonight I’ll get drunk in a dry county I’ll be howling at the moon and speaking in tongues I’ll draw the venom and sip the strychnine Any deadly thing to tame my misfortune
7.
History of heartbreak runs through my veins So many untold stories and misplaced shame I wonder if I was born just to carry forward These burdens of yours that are not my own So I saved face and held my tongue I sure smiled pretty as I came undone I can’t fall in love without reminding you of your regrets I can’t pour a drink without thinking why you never left I’m the one trapped inside when you cage the past You can’t deny what you won’t confess about the family secrets The whole town talks in whispers ‘bout the sins of my bloodline I know now the blame you cast around was truth in disguise I found misplaced letters torn in pieces They revealed the mystery of your high treason I never asked for much But you thought the truth was too much to want I can’t fall in love without reminding you of your regrets I can’t pour a drink without thinking why you never left I’m the one trapped inside when you cage the past You can’t deny what you won’t confess about the family secrets I never asked for much But you thought the truth was too much to want I can’t fall in love without reminding you of your regrets I can’t pour a drink without thinking why you never left I’m the one trapped inside when you cage the past You can’t deny what you won’t confess about the family secrets
8.
Centerville 04:04
No one remembers when the gas pumps ran dry When did anything feel full for a buck eighty-nine? Windows are boarded, but a light’s on inside A blue glow of fluorescence and cigarette smoke I remember those summer nights when we were nineteen You couldn’t tide me over; hunger’s a fickle thing In the last place standing east of the cemetery We were in Centerville off of Highway 33 What you’re hoping to find and what you’re trying to leave Nowhere is somewhere in between What you’re hoping to find and what you’re trying to leave Nowhere is somewhere in between I rolled my windows down, turned the heat on full blast Leaned out to look past what’s too foggy and cracked Sun blinds as it rises so I watched the rearview mirror I passed Centerville, then I watched it disappear What you’re hoping to find and what you’re trying to leave Nowhere is somewhere in between What you’re hoping to find and what you’re trying to leave Nowhere is somewhere in between I sometimes think I see you It’s a trick my mind plays ’Cause it’s been a long time But what’s there still remains I sometimes think I see you And you still look the same Before the center shifts And times change What you’re hoping to find and what you’re trying to leave Nowhere is somewhere in between What you’re hoping to find and what you’re trying to leave I pass through you, you pass through me I pass through you, you pass through me I pass through you, you pass through me
9.
“Hello nothing” is the sign that welcomes me And nothing, it seems, is all I see The empty boxcar, the load it lost Unanswered prayers, the roadside cross Wood, bottle caps, and tin Candles lit for the saints of sin I’m crossing over the Rio Grande I’m crossing over the Rio Grande We are born of unchosen circumstance And only at our death defined Some hold papers for passing through Some are otherwise confined What will be remembered When the things I carry get left behind I’m crossing over the Rio Grande I’m crossing over the Rio Grande I slipped the noose and fell through the womb And found myself on the other side I could wait it out, or rush it through The consequence of a changing mind I’m always on the other side The rage of the river once ran wild Now, at its end, the water runs dry It’s dammed and drained and taken from Some say money, some call it love For roses, cotton, and sugar cane The dividing line just fades away I’m crossing over the Rio Grande I’m crossing over the Rio Grande I’m crossing over the Rio Grande
10.
Darling, I love you so, that's not why I have to go I need to believe that I can stand on my own I'm stepping out to come back home You have to trust me that I won't do you wrong I'm the one crying and you're still standing strong I need to find what you see in me There's no escape, this is my leap of faith But I just don't know, when I'm coming home I'm leaving in the morning Darling, I love you so, that's not why I have to go I need to believe that I can stand on my own I'm stepping out to come back home Love may be enough just to survive But it takes more than love if we're going to thrive And just surviving is never good enough The ties that bind are patience, faith and trust But I just don't know, when I'm coming home I'm leaving in the morning Darling, I love you so, that's not why I have to go I need to believe that I can stand on my own I'm stepping out to come back home Down the line, we'll be happy for ourselves Down the line we will go Down the line we'll be happy for ourselves When I know that I'm coming home I'm leaving in the morning Darling, I love you so, that's not why I have to go I need to believe that I can stand on my own I'm stepping out to come back home
11.
I don’t listen when you go on and on 'Bout the life that could have been As we sit and stare at the setting sun To pass the time of the summer evenings The heat was high despite the early hour Like morning gave up the night before Another stillborn day time is pushing through Another someday lost on you You dream about running away on the open road To ride the rails and the lost highways Where the day is long and the night is young But when you carry with you what you’re running from Every open road is a path already paved Every open road is a path already paved We trace the town every Sunday drive One mile squared and grid-lined Back at home the map is torn apart Along the lines where it’s kept folded up Pull the choke and light the fire To ride away on a two-stroke dream You can dance when the engine idles She runs fast but you’ll never leave So I don’t listen when you go on and on 'Bout the life that could have been As we sit and stare at the setting sun To pass the time of the summer evenings You dream about running away on the open road To ride the rails and the lost highways Where the day is long and the night is young But when you carry with you what you’re running from Every open road is a path already paved Every open road is a path already paved

about

The Trailer Sessions, produced by Lloyd Maines, explores the mythology of the open road and the haunting relationships between person and place. The songs imagine stark landscapes and protagonists at lonely moments when they must decide, should I stay or do I go? Maines shares his instrumental virtuosity and brings together a small cast of some of Austin’s finest (Richard Bowden, Jane Gillman, Riley Osbourn, Terri Hendrix, Bukka Allen, and Pat Manske), weaving new characters of sound into the stories to reassure the listener that, with music, no one is ever really alone.

credits

released May 17, 2017

Kristin Davidson: vocals, acoustic guitar, pedal steel. Carolyn Phillips: vocals. Lloyd Maines: acoustic and electric guitars, bass, dobro, mandolin, banjo, ukulele. Pat Manske: drums, organ on Hard Winds. Jane Gillman: acoustic guitar on Crossing the Rio Grande, octave mandolin on House of the Soiled Dove and Family Secrets. Riley Osbourn: keys on House of the Soiled Dove, Family Secrets, and Path Already Paved. Bukka Allen: accordion on Crossing the Rio Grande. Richard Bowden: fiddle on Heartbreak Transit Line. Terri Hendrix: harmonica on Dry County. Produced by Lloyd Maines. Engineered, mixed, and mastered by Pat Manske at The Zone Recording Studio, Dripping Springs, Texas. All songs written by Kristin L. Davidson (BMI).

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Hardened and Tempered Austin, Texas

Hardened and Tempered: hard enough to hold an edge; soft enough not to break. Austin-based duo Kristin Davidson and Carolyn Phillips live that balance and express it in their music. Their songs take root in the story-telling traditions of folk and country and flourish with textured melodies and harmonies, revealing an intimate look at the human condition and one’s search for meaning. ... more

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